Blog: The Stories Behind 15 Poems We All Learned in School

Part of the reason why certain poems can endure for centuries is because the poets themselves are inspired by the same types of issues we endure every day: love, loss, fear, rage. The best of these works have a backstory that's just as interesting as the verses themselves; here's the story behind 15 poems we all learned in school.

1. "INVICTUS" // W.E. HENLEY

Perhaps no other poet on this list put their struggles down on paper as succinctly as W.E. Henley did with "the age of Invictus." At 12, Henley was diagnosed with arthritic tuberculosis, which eventually required the amputation of one leg during his late teens, and the possibility of losing the other. Refusing this fate, when Henley was in his mid-twenties, he instead turned to Dr. Joseph Lister, who performed an alternative surgery that saved the leg.

It was during the years spent in the hospital that Henley wrote "Invictus," a stark proclamation of his resistance against life's trials and tragedies. "Out of the night that covers me," it starts, "Black as the pit from pole to pole/I thank whatever gods may be/For my unconquerable soul." The poem famously ends with "I am the master of my fate/I am the captain of my soul."

It's a poem that endures across all races and cultures. It was an inspiration to Nelson Mandela during his imprisonment and has been referenced in countless movies, television shows, and books ever since its publication in 1888.

It was originally published without a title—simply known by the number XXII—but "The Red Wheelbarrow" has grown into one of the most memorable short poems of the 20th century. It sprung from the mind of William Carlos Williams, whose day job was as a doctor in northern New Jersey. It's only 16 words, but it paints an unforgettable picture:

"so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens."

It took some research and census records, but William Logan, an English professor at the University of Florida, finally discovered in 2015 that the man was Thaddeus Lloyd Marshall Sr. of Rutherford, New Jersey.

3. "IF—" // RUDYARD KIPLING

There may be no more fitting national mantra for the British people than Rudyard Kipling's "If—." The poem, which champions stoicism, is routinely one of the UK's favorites in polls, with lines like "If you can meet with Triumph and Disaster/And treat those two impostors just the same" and "If you can force your heart and nerve and sinew/To serve your turn long after they are gone" serving as a rallying cry for the stiff-upper-lip crowd.

For everything that Kipling put on the page, the story behind the poem is just as notable. Kipling was inspired by the actions of Leander Starr Jameson, a politician and adventurer responsible for leading the infamous Jameson Raid, a failed attempt over the 1895-96 New Year holiday to incite an uprising among the British "Uitlanders" in South Africa against the Boers, or the descendants of early, chiefly Dutch, settlers.

The raid was a catastrophe, and Jameson and his surviving men were extradited back to England for trial as the government condemned the attempt. He was sentenced to 15 months (though he was released early), but his actions had gained the respect of the people of England—Jameson was punished, but it was felt that he was betrayed by his own government, including Colonial Secretary Joseph Chamberlain, who was widely suspected of having supported the raid during the planning but denounced it when it failed.

This theme can be read in Kipling’s words "If you can keep your head when all about you/Are losing theirs and blaming it on you" and "If you can wait and not be tired by waiting,/Or being lied about, don't deal in lies,/Or being hated, don't give way to hating."

4. "JABBERWOCKY" // LEWIS CARROLL

Long before Lewis Carroll introduced the nonsensical "Jabberwocky" in 1871's Through the Looking-Glass, he wrote a rough version of the poem in 1855 under the title "Stanza of Anglo-Saxon Poetry." It appeared in the periodical he created to amuse his friends and family called Mischmasch.

The poem featured the stanza: "Twas bryllyg, and the slythy toves/Did gyre and gymble in the wabe/All mimsy were the borogoves;/And the mome raths outgrabe," which would remain (though slightly tweaked) in Looking-Glass years later as both the first and final stanzas.

When he wrote Looking-Glass, Carroll returned to the basic foundation of the poem, but he added the five middle stanzas that introduced the Jabberwock. The inspiration behind the monster itself has been said to be anything from Beowulf to a local folk monster called the Sockburn Wormfrom the village of Croft-on-Tees, where Carroll wrote.

So where did Carroll get the name Jabberwock from? The author himself later explained it by saying "The Anglo-Saxon word 'wocer' or 'wocor' signifies 'offspring' or 'fruit'. Taking 'jabber' in its ordinary acceptation of 'excited and voluble discussion,' this would give the meaning of ‘the result of much excited discussion.'"

If all that still sounds like nonsense to you—well, that's probably how he wanted it.

5. "WE REAL COOL" // GWENDOLYN BROOKS

Gwendolyn Brooks was the first African American to win the Pulitzer Prize for Poetry and became "Poet Laureate" in the 1985–86 term (back when the position was properly called Consultant in Poetry to the Library of Congress). Despite all the accolades, Brooks might be best known to casual readers for the poem "We Real Cool," a brief, four-verse piece that depicts the lives of young people playing pool, drinking gin, and "singing sin."

Brooks was inspired to write the poem when she was walking through her neighborhood and noticed seven young boys at the local pool hall during school hours. As she said during a live reading of the poem, she wasn't so much concerned with why they weren't in school, she was more curious with "how they feel about themselves."

A lot of real-life inspiration went into Edgar Allan Poe's "The Raven." First, there was the fact that his wife was deathly ill with tuberculosis during the time of writing and publication. Then, the raven itself was partly inspired by one owned by Charles Dickens, who had also been inspired to include it in his own book, Barnaby Rudge. (Rudge's raven even coaxes a character to exclaim "What was that? Him tapping at the door?" Similar to Poe's "rapping at my chamber door" raven.)

But while so many great works have backstories that are more legend than fact, Poe detailed his writing process of "The Raven" in the essay "The Philosophy of Composition." Here he revealed in meticulous detail how he came up with the tone, rhythm, and form of the poem, even going as far as to claim he decided on the refrain of "nevermore" because "the long o as the most sonorous vowel, in connection with r as the most producible consonant."

7. "THE ROAD NOT TAKEN" // ROBERT FROST

For "The Road Not Taken," poet Robert Frost found inspiration in his friend, English literary critic Edward Thomas. It was originally conceived as sort of an inside joke at Thomas's expense, a callback to the fact that Thomas would always regret whatever path the two of them would take when out walking together.

It's a very human instinct to regret or overthink our choices and wonder—often in vain—what the alternative would be like. While many people tend to think the poem is about the triumph of individuality, some argue that it's really about regret and how we either celebrate our successes or blame our misfortunes on our seemingly arbitrary choices.

When you read it like that, saying "And that has made all the difference" smacks of a bit more irony than it did back when you first read it in high school.

8. "THE NEW COLOSSUS" // EMMA LAZARUS

When Emma Lazarus wrote "The New Colossus" in 1883, it was only meant to be part of an auction to raise money for the foundation for the Statue of Liberty. It sold for $1500—not bad for a 105-word sonnet written in two days—but though it was printed in some limited-release pamphlets by the fundraising group, the poem wasn't read at the dedication of the statue in 1886.

Unfortunately, Lazarus never got to see how far and wide her words would resonate—when she died in 1887, her New York Times obituary didn't even mention the poem. It was only well after the statue had been completed that "The New Colossus" was added to its base, thanks to the urging of Lazarus's friend and admirer Georgina Schuyler. Then, slowly, "Give me your tired, your poor/Your huddled masses yearning to breathe free" entered the public lexicon and became ingrained as part of America's national identity.

9. "O CAPTAIN! MY CAPTAIN!" // WALT WHITMAN

Walt Whitman witnessed the Civil War up close. Though he was already in his forties during the fighting, he volunteered at hospitals in the Washington, D.C. area—sometimes he would bring food and supplies to the soldiers, other times he just kept them company.

Seeing the schism the war had caused, Whitman began to take a genuine interest in, and found a deep respect for, the burden President Abraham Lincoln was dealing with. When Lincoln was assassinated in 1865, Whitman channeled his grief into a number of poems, the most famous being "O Captain! My Captain!"

The poem was a metaphor for what the country had just been through—America itself as the ship that had just weathered a great storm, and Lincoln as the fallen captain, whose "lips are pale and still."

10. "SHE WALKS IN BEAUTY" // LORD BYRON

The story behind the lyrical poem "She Walks in Beauty" is as lovely as the verse Lord Byron weaved. In June 1814, Byron attended a London party where he first saw Anne Wilmot, his cousin's wife. She was wearing a striking black mourning dress that was adorned in spangles, and her beauty inspired Byron's poem, most famously its first four lines:

“She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes.”

He was just 19 when he published this poem, but Langston Hughes's "The Negro Speaks of Rivers" is one of his most well-known works. The idea came to him while he was traveling by train to Mexico City to visit his father—specifically, as he was crossing the Mississippi River near St. Louis, Missouri.

In the poem, the narrator speaks of rivers—how they're ancient, older than humans themselves. He also says, despite this, he knows rivers. "My soul has grown deep like the rivers." He's bathed in the Euphrates, built a hut on the Congo, looked upon the Nile, and heard the singing of the Mississippi. These rivers have important links to human history, to new societies, to African Americans, and to slavery. And all it took was a simple train ride to find the ties that bind them all together.

12. "TULIPS" // SYLVIA PLATH

"Tulips" has a simple enough backstory—it was inspired by a bouquet of flowers Sylvia Plath received while in the hospital recovering from an appendectomy. But Plath turned the event into one of her most renowned poems, beginning with the line "The tulips are too excitable, it is winter here."

Sprinkled throughout are visuals of the red tulips and the white, sanitary hospital, staffed with a never-ending army of nurses.

"The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds."

Poet Percy Bysshe Shelley traveled in an elite literary circle that included the likes of Lord Byron and John Keats. So what would a group of young intellectual writers do to stimulate their interest and spark their creativity? Well, they'd compete, of course.

One of Shelley's most famous poems, "Ozymandias," was likely born out of a competition between himself and writer Horace Smith (very similar to the 1816 competition between Shelley, his soon-to-be wife Mary Shelley, Byron, and physician John Polidori over who could write the best horror story—Mary's Frankenstein was the winner there). The goal was to write dueling poems on the same concept—the description of a statue of Ramses II (also known as Ozymandias) from the works of Greek historian Diodorus Siculus. Most important was the statue's inscription: "I am Osymandias, king of kings; if any would know how great I am, and where I lie, let him excel me in any of my works."

Shelley described Siculus's same statue but in decay, a boastful monument now left to rot. This would serve as a warning that no matter how powerful one may think themselves to be, we're all helpless to the scourge of time. For a political writer such as Shelley, the imagery was too perfect.

Shelley's version of "Ozymandias" appeared in The Examiner in 1818 almost a month before Smith's, which, by the rules of these arbitrary competitions, likely led to Shelley being victorious.

14. "DO NOT GO GENTLE INTO THAT GOOD NIGHT" // DYLAN THOMAS

In one of the most cherished poems about mortality, Dylan Thomas urged his dying father to fight back against the inevitability of death and immortalized the refrain "Do not go gentle into that good night." Published in 1951, the poem focuses on a son urging his father to be defiant ("Rage, rage against the dying of the light") and arguing that while all men eventually die, they don't have to do so resignedly. The poem was released shortly before Thomas's own death in 1953 at the age of 39 and is still studied in schools and referenced in popular culture.

15. "A VISIT FROM ST. NICHOLAS" // DISPUTED

Everyone knows the poem—"'Twas the night before Christmas" and all that—but scholars can't quite agree on the author. Some say it was a poet and professor named Clement Clarke Moore, who allegedly wrote the piece for his kids before his housekeeper sent it in to New York's Troy Sentinel for publication in 1823 without his knowledge.

On the other side is Henry Livingston, Jr., whose family said they were reciting this poem 15 years before it was published in the Sentinel. Unfortunately, any proof they had was gone when their home—which allegedly contained handwritten versions of the poem that predate Moore's—burned down.

For now, it's Moore who officially gets credit for the cherished poem, but it's not without a bit of holiday controversy.